“The electronic camera doesn’t lie” went a saying not observed much since the launch of Photoshop 1.0 in 1990. Scanned sound, images, films, and written text let even inexperienced modify truth — or create it on your own — with a key-board and a rabbit. A singer’s bad notices, a model’s imperfections, or an cloudy sky in a film field can be set as easily as a punctuation mistake. Just as important, electronic press can be duplicated over and over nearly for free, saved completely without diminishing, and sent around the world in a few moments. It appropriately problems the film and songs sectors, but how do you put the genie back in the container if there’s no container anymore?
Digital media.
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